To the Peace on Earth explores the authors search for meaning after the tragic double double suicide of Moses Molelekwa and his wife, and then Moses Khumalo.

It is written through the lens of South Africa’s freedom march documented by Melt2000 records, and the enormous and multi beneficial investment into music by Swiss speaker entrepreneur Robert Trunz.

Carol Muller’s review on Alljazzradio states: “A healing in music took place through Trunz’s music label, MELT2000, and writer/musician Douglas found a much needed home in this Musical Energy Loud Truth space.”

To the Peace on Earth is a story of many musicians and masters that help create healing.

Madala Kunene who also featured in the book Story of South African Jazz Volume One is one such musical mentor and healer to many. He will be performing at the opening launch of the book in Johannesburg April 25th

The urgency to release this book was inspired by a Winston Mankunku quote which will be published in the Story of SA Jazz Volume 2 later in the year. Mankunku said “If I can stop one person from killing I have done my job.”

The book has been constantly written over the last four years and has enjoyed wonderful contributions from the cultural family of Melt2000, Trunz, Lianne Cox and the late Ananda Masset who the book is dedicated to.

Carol Muller confirms the healing spirit of the book. She writes: This book touches the unavoidable real by opening our minds to what constitutes the ‘void’, from entering disorientation that can manipulate the mind,  to experiencing the beauties of Ubuntu love and respect found on the African continent.  Douglas uses the metaphorical ‘fifth’ to explain:  “As the fifth in music harmonically divides the octave, so the fifth dimension in Spiritual terms co-creates.”


To the Peace on Earth is targeted at people between the age of 18 and 35. As much as the book deals with the “27 suicide club” it focuses on the causes of suicide offering a full university for overcoming it.

Muller confirmed in her review: “The Cullinan farm and its various inhabitants provided this ‘nature spirit’ space  where African griots, drummers, trance-dancers of the Kalahari, and other newer students of sound in his Forest Jam project could co-create.  By 2015, Douglas found a new journey, having manifested projections involving a vast healing.”

 “Melt2000 projects harnessed and promoted energy and a spirit of activism and thoughtfulness. It was never in an overt political social way, it was simply in the spirit of doing, creating and making magic. It became the documentation heritage of post-apartheid music. People were coming together and finding their truth beyond race. ” Excerpt

The cultural identity of that post-apartheid South Africa era is an awareness of social cohesion and multi-cultural harmony, such as unity in diversity, uBuntu and xe xarra xe are all described in the book.


Struan Douglas was born in Umhlanga Rocks Kwa Zulu Natal to Tessa and Robert Douglas in 1976. His early years were dedicated to sport. A near death experience in 1988 shifted his interests from sports to humanities. After graduating from UCT (University of Cape Town South Africa) with honours in religion and philosophy, he worked as a freelance journalist specialising in South African jazz and African music. He created the recording archives Archive Africa, Wondergigs and Goema Captains of Cape Town. The website afribeat.com was launched in 2000 and is a content portal helping people tell their stories.

He has authored, edited and published books including; Shadows of Justice, Airborne to Africa, The New South Africa and the friends around her, and The Story of SA Jazz, Volume’s 1 – 3:



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